The King of Comedy

Upon perusing a list of movies, I came across The King of Comedy, which seems to be gathering some press coverage due to certain connections it has with the upcoming Joker movie. Starring De Niro in the lead role, I felt a compulsion to give the movie a go-ahead.

 

The King of Comedy is a study of how everyday people worship their celebrity idols. It is the story of a failed “comedian” (Rupert Pupkin) who has delusions of grandeur and daydreams about himself as an uber successful stand-up comedian. Upon meeting his idol –talk show host Jerry Langford- he truly believes he has a chance of getting his “big-break” at the stardom that he deserves. We all like to envision ourselves in positions of fame and Pupkin falls in the same boat. He dreams about his success in the field to such an extent that he has begun to believe he has the skill and wit to make it as a comedian. He wants all the fame without the effort. To be a star without going through the trials and tribulations that Hollywood offers. If only life were that simple?

He is annoyingly persistent, and at some point of time, we have run into people who pester us until they get what they want. The ones who are socially inept and do not notice the social cues we are giving off. When his idol Jerry Langford denies him a shot at glory, Rupert resorts to extreme actions to achieve his dream, even if he can only live in it for a night.

 

The audience is drawn into the life of a man who refuses to back down. His entire life has morphed to a point where he forces down his delusions down the throats of people around him. He has adopted his lifestyle to match those of stand up hosts you see on screen. Everything from gestures and mannerisms are exaggerated to the point where a guest at a restaurant sees right through his act, and is seen mocking Pupkin in the background of a, mimicking the wild gesticulations Rupert has adopted into his daily life. To Pupkin, his fantasies are within reach -the life as a celebrity and the love of his life by his side. We are conditioned to empathize with people who undergo suffering and ridicule by people in power. Rupert displays no sympathy for the people around him and in return, we do not pity his situation either. If you had the chance to be loved and adored as a King for a day no matter the cost, would you stake your freedom for it?

 

It has been a while since I gave a shot at writing, so the review might seem a bit off. I am going to stick at it though and I will try to have a new article out soon.

 

 

 

 

Bridge to Terabithia

A criminally underrated film, Bridge to Terabithia used to air quite often on Star Movies when I was a kid. I used to watch it whenever I got a chance. The performance by the two leads appealed to me a lot. Leslie and Jess are outcasts at school who bond together and decide to spend their free time in a world they make for themselves, called Terebithia. In Terabithia, they could be the greatest of hunters, the fastest runners and could make up anything they wanted.

Its emphasis on friendship, creativity, first love and death rather than pure fantasy elements help it to stand out from the pack. Leslie and Jess grow close to each other through their adventures in Terabithia, as well as their antics outside school. They grow bolder and learn to deal with issues that plague them in school.  Leslie’s arrival helps Jess unleash his creative side. Through their adventures, they learn to value their relationships with their family and realise most people are fighting off their own demons. They teach us to empathise with people, not berate them. We may find people with different opinions all around us, and it’s our duty to respect their views. Nothing is truly black and white in our world. Instead, embrace both sides and help put a smile on someone’s face.

Camera work, score and CGI (in particular) are adequate for a film that came out in the early 2000’s. At its core, the movie isn’t about witches, wizards or monsters to fight off. It’s about the little things in life that we pay little attention to. The fantasy medium is just a messenger that sugarcoat the truth. Dreams may cushion us, help escape trials life throws at us. But reality will always come crashing down when we least expect it. So it’s about time we accept it and move forward.

Coco by Pixar

Two Pixar releases this year, and both of them have ‘’Family’’ as their central theme. Coco is a visual treat, with vibrant colours and strong musical choices that helps elevate the plot.

The story has a typical 3 act structure, with a soft introduction to Día de Los Muertos and the main cast: Miguel, Imelda and Ernesto, our first glimpse of the Land of the Dead and the final act where the various plot elements connect together.

It’s apparent that Pixar did their homework when it comes to respecting Mexican culture. Through Miguel’s eyes, we get to see how Mexicans pay their respects to the dead, why familial ties matter and how the holiday is a joyful celebration of the departed loved ones. Bright orange marigold peppered throughout the story emphasizes the jovial nature of the festival. We zoom through a bright, colourful town square with cheery music playing in the background, people milling about having a good time and transition to a sombre graveyard littered with flowers, food, drinks and candlelight vigils as families offer prayers for their loved ones.

The feeling is emulated in the Land of the Dead, as young Miguel begins to realise the importance of family. An accident on his part sets him on a journey through the Land as he interacts with his ancestors and various spirit guides on his quest to meet his defamed great-great-grandfather. Lies, death, joy and tragedy. For a children’s film, the story manages to evoke a range of emotions as Miguel comes to terms with the reality of death and the feeling of being forgotten by everyone that matters in his life. Breaking out of conventions set by one’s culture and the pitfalls of fame are loosely tied into the story and helps cushion the story with more layers that have to be unearthed by the viewer.

Music plays a key role in the move as Miguel, Hector and Ernesto all voice their emotions through it. Both Ernesto and Hector had different perspectives on life and family, and viewing them through two different renditions of ‘’Remember Me’’ was a smart choice. Pixar continues to push the boundaries of animation through the attention to detail pertaining to lighting and facial animations.

Incredible voice acting, a story with heart and amazing animations to boot make Coco one of 2018’s best films.

9/10-

Ready Player One

A seamless world-builder, Stephen King’s vision brings Ernest Cline’s Ready Player One to life.

In the near future people live out most of their lives in the OASIS, a virtual reality world where people meet to interact with each other. People have their own avatars, use in-world currency to buy items and live out various fantasies: climb Mount Everest, trek the path to Mordor or even roam around in a Minecraft World. In short: the internet of the future is an MMORPG.

The deceased creator of the OASIS (James Halliday) left behind an Easter Egg hunt for the others: whoever completes it gets complete ownership of the OASIS. ‘’Gunters’’ are users who work to hunt down these Easter Eggs while keeping the IOI, a rival corporation, at bay.

These Gunters have dedicated their lives to researching Halliday: all of his interests and hobbies ranging from movies that he has watched to the various games he has played. Hero worship and escape from reality were key points that the movie could have delved deeper into. We see a lot of people running around in the real world as their characters mimic their actions in the OASIS. Is the OASIS a healthy respite from the trials in the real world? And could the OASIS be the reason why the world has deteriorated so much? We are told that Halliday, like Wade, had difficulties in building emotional attachments in the real world. The OASIS could help introverts when it comes to building friendships, but what about regular users? What does it cost them? Wade barely has any positive interactions with people in the real world, and in the opening sequence we see Wade skip past all of his neighbours without uttering a word The only people (besides his aunt) we see him interact with are his friends from the OASIS.

A group of Gunters called the High-Five race against the IOI to find all the Easter eggs and solve Halliday’s game. The plot is straightforward and well-paced, the cast is great and the movie makes use of brilliant CGI to flesh out the OASIS. Spielberg really brings it to life with seamless transitions and great camerawork. While watching the movie, you can tell that the OASIS is a living, breathing place where each and every location has a story to tell. He is able to instil a sense of wonder in our very first introduction to the OASIS. A plethora of action set-pieces helps keep the movie fresh and interesting.

Most book adaptations end up being well received, and Ready Player One is no exception to the rule.

7/10

The Eye of the World (The Wheel of Time #1)

For a series that is supposed to span 14 books, the first one is a tame start to the series. The book opens in a similar manner to The Fellowship of the Ring, a small town where something out of the ordinary occurs and someone wise to events occurring in the outside world decides to lead a party of seven on a mission. Oh and just like The Lord of the Rings, there are Orc-like creatures (Trollocs), something akin to a Nazgul (Myddrraal) and a Dark Lord. Jordan wanted the books to start similar to Tolkien’s epic before it diverged so I will give him the benefit of the doubt.

The positives:

Robert Jordan’s prose is truly remarkable. Throughout the journey, his writing makes it so easy to visualize every aspect of his world. It doesn’t matter whether it’s the various major cities or towns, the routes between them or the groves that they stop by. Each and every setting is fully realized and this adds a lot to the reading process. He also provides enough interesting pieces of information on other parts of the world such as Tar Valon, Illian, and Amador, which I am positive will be covered in the rest of the series.

A lot of fantasy authors forget to include interactions between everyday folk and the main cast. The fact that Jordan does this makes the whole story just a little bit more believable. The majority of the characters are regular farm people, and you cannot expect them to get through the journey without a little bit of help from people living in the world around. Getting a glimpse of how these people live their lives provides a richness to the world and makes you think how the character’s actions will affect these regular joes moving forward.

There quite a few factions that are established by the end of the book which gives me hope for the rest of the series. There are supporters of the Aes Sedai –women who can use the True Source and have a lot of political power- and their detractors The Children of the Light who frown on them. Supporters of the Dark One called Darkfriends who lurk around everywhere, the Warders and those who fight against the Blight in the North. A lot of different parties involved in the story.

Neutral:

Not enough has been established about the magic system for me to pass judgment. We are given the bare basics of the True Source, and how there are two components to it that can be drawn out. Then there is the Wheel of Time itself, that supposedly builds out patterns and dictates the actions of the world. Is a character destined for doom or glory in a series like this due to the actions of the Wheel? Can people influence the Wheel externally and change the course of history? A lot is made about the past, how the Dark One keeps defeating the Dragon -a prophesied hero of sorts- and how the Cycle might be different this time around. The book leaves us with enough questions and topics that need to be answered in future books.

Generic plot: You can’t go wrong with a standard Good vs Evil storyline. Then there’s the added conflict between the Children and the Aes Sedai in the backdrop as well. So there’s enough going on to keep you interested in the story.

Negatives:

Story Choices: The plot weighs down midway through as the characters get spread out and we get a chance to see a lot more of the world the story is set in. I am not a fan of world-building when it does nothing for the plot. For example, what was the point of Perrin Aybara meeting Elyas? It establishes a telepathic connection between Perrin and the wolves but it doesn’t move the story forward in any manner. We could have skipped Elyas and proceeded directly to the Travelers instead. There could be a payoff later on in the series, but when you examine a book on its own, the plot just gets bogged down by various little plot points such as this.

Characters: I think Brandon Sanderson has spoiled me for the worse. After reading so many of his books with a variety of interesting characters, all of Jordan’s characters seem pale by comparison. Almost all of them possess a single character trait, and very few have any character development at all. The only one that stood out to me was Thom Merillin. Thom is a traveling gleeman who goes about entertaining the masses with tricks, fireworks, music, and stories. He shows a lot of heart, does his best to help out the main cast, is plagued by mistakes from his past and is prone to being swayed by greed. He is neither overly smart nor is he an expert when it comes to self-defense. It’s a stretch, but I would rather see him in future books than some of the other characters in this book.

Lan is a Warden sworn to protect Morraine, who is an Aes Sedai working against the Dark One. He is the Marie Sue of the book, a typical combat expert/tracker/navigator who helps get the cast from point A to point B as safely as possible. His thing is to brood for most of the book.

Morraine Sedai has a lot of knowledge about the Wheel, the Dark One, his followers, and has access to the True Source (So, a lot of magic stuff like lightning bolts, smoke screens, and flames I think at one point). Her trait is to smirk at others who question her or ignore people for the most part.

Nynaeve is the village Wisdom -someone who heals people- and is a part of the Woman’s Circle in her village. Her trait is to scold people when she gets ticked off, or try to one-up Morraine.

Egwene. She wants to see the world and become an Aes Sedai like Morraine.

Now the three main characters.

Mat Cauthon- a whiny bitch (language, I know) who can’t shut up, likes to play pranks and is a general dumbass who cannot bother to think for even a second.

Perrin Aybara, the more well-developed of the lot, is the son of a smith, wields a mean old ax and has wolf powers.

Rand al Thor, son of a herder, has a heron marked sword, smarter than the Perrin and Mat, wants to do the right thing but isn’t qualified at all. He stumbles through the story for the most part. I don’t think I can blame him though since it seems like the Wheel has major plans for him, and a lot of what he ends up doing is out of his control.

Phew.

As you can see, there are a lot of characters in the first book alone. I wish a lot more time was spent developing these characters more thoroughly. Moments of consequence had a lesser impact when we did not get to see how certain characters react to their own actions. The three main leads were written to be everyday folks who become part of something larger without their approval. And I understand that they are inept to face the troubles that they come across in the story. But it wouldn’t be remiss to include a few redeeming qualities, especially for Mat who just seems to be written as someone who causes trouble for the rest of the gang. Nynaeve has a lot of potential beyond just scowling at Morraine. The first book in the series starts out in meekly, as its characters let it down. They have room to grow and improve and considering the dedicated fan base, the series should get better from here on out.

6/10

A Note on Reading

For all those who have studied under the CBSE system in India, we have a mandatory reading activity as a part of our English Syllabus. A prescribed book has to be read from which question-answers as well as short essays pop up in our final examination. Back when I was in school, the two books prescribed in 10th and 11th were The Invisible Man and The Canterville Ghost. A lot of science fiction and fantasy authors write a book with a greater theme at the back of their mind:

  • The Lord of the Rings: Good always triumphs Evil, no matter how dire the situation.
  • 1984 and The Animal Farm: What happens to society when power is vested in the wrong hands.
  • A Song of Ice and Fire: Not everything is black and white, a lot of wrong is committed in the name of right, and vice versa.
  • Dune, Fahrenheit 451 are a few others.

The Invisible Man and the Canterville Ghost fall within the same bracket. The Invisible Man teaches us how science can be used in the wrong manner under unsupervised guidance, which is a suitable topic to be broached for students studying in the 10th grade.

It’s been pretty obvious that the average number of people who read books have been dropping quiet consistently over the past few years. Our schooling system believes they can counteract this decrease by making reading a mandatory part of their syllabus. The problem? Students are sly little fellows who will not stop looking for an easy way out. Most of my classmates just went through the chapter by chapter summaries on some reference websites along with some important questions regarding the themes of the book. Why bother reading the book at all if everything you need is available in a condensed form online?

We need to show students that there are incentives to be gained through reading, and that it’s not just some mental exercise to be carried out. Instead of prescribing a science fiction book with a slightly deeper meaning, why don’t we give them a book that provides them with answers in a straightforward manner:

How to Win Friends and Influence People- By Dale Carnegie.

A no-nonsense book which provides lessons that WILL ACTIVELY help students in their day to day interactions.

Each chapter in the book gives out a mantra to live life by, which are simple and easy to implement: Smile, don’t criticize or complain, give honest appreciation, learn to accept your own mistakes. It’s written in simple English, with a clear goal in mind. The book can be spread out across the two semesters so that the students do not find getting through it to be a burden. The simple language used won’t let their focus to waver, and the book has sufficient ‘’challenging words’’ in case that’s a criterion by which books are chosen as mandatory reading. The same reasons can be used to help adults get back into reading as well. The lessons taught in the book are bound to help out everyone in the long run, which is why this book NEEDS to be essential reading for higher level students.

Forcing students into reading isn’t the solution. Give them a good enough reason to read and soon they will be picking books out on their own.

 

La Casa de Papel- Season 2

Today we take a close look at the second season of Money Heist.

The first season culminated with the task force arriving at the estate where the preparation for the heist took place. They finally have the upper hand!

For all of five minutes.

Knowing that the Professor’s plan has been in the making for 5 years, he couldn’t have made an error this massive. And of course, he didn’t. The most crucial element required to carry out the heist is time. The crew needs all the time they can get in order to print the 2.4 billion euros, and a forensic haven such as the estate would help buy them some more time as the police comb their way through the house looking for clues. Of course, Rachel/Raquel is more wary of the ploy, knowing that the Professor who is meticulous has prepared the crime scene as a distraction. Various subplots unfold- friction in the team after spending so many tense days in the Royal Mint, the hostages growing bolder after the previous escape attempt, Berlin losing self-control through the course of the show, Denver-Monica-Arturo love triangle and of course the relationship between the Professor and Raquel.

If I had to summarise the season (and the show as a whole) using a single word, it would be Relationships.

The season spent a lot of time on the Professor and Raquel’s love story: how they begin to fall for each other, growing doubts on Raquel’s side (once again) and further advancements. Denver and Monica had a lot of screen time the previous season, and it remained so over here. It is okay to focus on the relationships that develop between these characters, but it becomes an issue when it detracts from the main storyline: the heist itself.

The heist proceeds at a snail’s pace. We spend lesser time building up the cat and mouse game, with one main development per episode just to keep the story moving. The plot picks up in the last episode as everyone plays their final cards. This slow pace may have been due to some storytelling choices made that resulted in the Professor being out of action for large portions of the season. He is the one that ultimately ties the cast together, and his absence creates some tension in the first few episodes. As a result, there is a dearth of story material within the Royal Mint as focus shifts onto the people outside. The last few episodes do pick up the pace and give us a solid conclusion to the season.

The production value is still top notch. Great camera work and amazing sound production are a staple in each episode. When a dramatic moment occurs, it is underscored with the help of a healthy dose of music, electronic or otherwise. You will find yourself humming to the resistance song ‘’Bella Ciao’’ days after you finish the series.

As established in my review for the first season, the strong cast continues to play their characters brilliantly. Berlin remains to be my favorite of the bunch, played amazingly by Pedro Alonso. He oozes charisma while perfectly balancing a tinge of mental instability, which gives his character an unhinged personality. Nairobi comes in a close second place, and I have been impressed with how Denver was played by Jaime Lorente López. He had to exhibit a wide range of emotions throughout the show and pulled it off like a champ.

There are some moments in this season, where you do roll your eyes and wonder how on earth an event could have occurred, so suspension of disbelief is required on part of the viewer to a certain extent.

With a neatly wrapped up plot, it is difficult to think of a direction the show can take during its third season. Overall, an average start to the season wrapped up with strong final episodes which result in Money Heist being one of the best new shows from Netflix.

7/10

Google Duplex

About a month ago at the I/O 2018 Conference, Sundar Pichai unveiled Google’s latest attempt at revolutionising the world. And this time, more than ever, the reveal generated discussion about the ethics of modern technology. The product? Google Duplex. The latest advance in AI that aims to mimic human conversation to almost pinpoint accuracy. The goal is to make it easier for us to make bookings and reservations at any outlet by skipping the human interaction required, instead relying on AI to carry it out for us. Watch the video below from 35 minutes in.

If that hasn’t blown your mind, I am not quite sure what will. In order to reach the level of sophistication showcased, Google obviously had to train their model repeatedly and get it to adapt to various situations. What makes the software so lifelike and accurate is in how it is able to capture the intricacies of human conversation: the pauses, the ability to keep track of points brought up a few moments ago, enunciating with different tones and quite possibly injecting. The voice samples, unlike the one’s used in Google Now/Assistant’s voice search, are a lot more cohesive and do not possess slight stutters or gaps between phrases. This has been made possible with the help of Wavenet, which uses a different approach to sampling.

A lot has been made about the ethics behind this latest innovation. Shouldn’t people have the right to know whether they are conversing with an AI or a human? This comes in the wake of the Moucheng Controversy, where Chinese dating apps were found to be defrauding men by using female chat bots. How long will it be before we use AI to substitute talking with our friends?

We need to keep in mind that even though Google intends on pushing the software ‘’within a few months’’, the AI behind it is far from perfect. The example we were shown was a highly trained and curated model for specific scenarios. These models have to be tested thousands of times and need to be retrained in order to execute them perfectly. Besides, this isn’t the first time Google has unveiled something ground breaking which failed to live up to expectations.

Jump back to a year ago – what was the latest release by Google making news? The Pixel Buds. They had the ability translate languages in real-time and would finally bring to reality what Douglas Adam’s envisioned with the Babel Fish. Elimination of Language Barriers. The reveal followed a pattern similar to the one this year, with an example which defied any and all expectations.  But as we now know, the buds were released a few months later and failed to live up to the hype. A product possessing functionalities which were exaggerated beyond measure.

Pixel Buds: By Google

Two other projects which fell by the wayside were Project Ara and Google Glass.

Ara was supposed to be the next step in mobile phone technology. A truly modular smartphone that could replace parts as and when required. ‘’Oh, is your camera sensor all battered up? That’s alright. Switch for a new one without any hassle. Do you need a boost in battery for the long trip abroad? Here’s a 4000maH battery to switch in for your present one.’’ But various issues constantly plagued the project which made it impractical and didn’t pass the testing stage. Glass was supposed to be the new accessory that went along with your smartphone, being able to take photos, record videos, make calls and what not. Once again, the project proved to be unfeasible and the project was scrapped.

Google-Project-Project-Ara
We had so many hopes…

You might be wondering what I am driving at? Discussing about the negative effects of technology should be carried out whenever something revolutionary is revealed. But we should not blow it out of proportion. Media in today’s world have this tendency to go all out and create unnecessary panic amongst the masses, especially when the product hasn’t even been launched yet.

Google experiments on various moonshot ideas and they hope to make use of their better aspects. The image processing tool from the Google Glass is now used to help identify and label objects. Down the line we might just be able to break that language barrier with the help of a third party developer working on what Google has done so far. And by the time Duplex reaches the complexity required to converse naturally with humans, we would have hopefully come up with some rules and restrictions on where to use them.

Duplex might end up being one of Google’s many failed projects. But only with brilliant experiments like these can we come up with ideas that grow into something new.

Maybe it’s time for Google to take a step back. They have been so focussed on an all AI future that they seem to have lost focus on their Do No Evil policy. Sort out the mess with Pixel Buds, decide on a plan of action for the drone situation (edit:Project Maven has been cancelled- https://www.theverge.com/2018/6/1/17418406/google-maven-drone-imagery-ai-contract-expire). Google Fi is a brilliant initiative, and we haven’t heard too many updates on that front either. Juggling so many balls is one thing, but there comes a point where you say no more.

At the end of the day, we need to keep calm about new developments in the field and remember: Don’t Panic

 

Dark (Season 1) – By Netflix

An original science fiction thriller straight out of Germany, and made mainstream by our media overlord Netflix.

Set across the years 2019, 1986 and 1953, we follow the stories of the people who live in the town Winden as different families react to the disappearance of Mikkel Nielsen. The disappearance triggers memories of a similar event that took place in 1986.

This is the prime example of a show that needs to be binged in order to understand fully. And by understand, I mean keep track of the three hundred different people involved in this story and how all of them are related to each other, either by blood or deed.

For the most part, we follow four families: Tiedemann, Doppler, Nielsen, and Kahnwald. The story opens with Jonas Kahnwald as he laments the death of his father. Ulrich Nielsen and Charlotte Doppler come into play after the former’s son goes missing and an investigation opens. The wrongs committed by the members of the various families come to the forefront and questions are raised about the activities occurring at the Nuclear Power Plant that has been a staple of the town for over 50 years.

The series tagline:  The Question is not where, But when. Within the first two episodes, we are made aware of the existence of time travel and the potentially dangerous aspects that it causes.

Ulrich Nielsen and Jonas Kahnwald are both played by talented actors, who manage to keep your attention throughout. Some of the other actors would have done better with better casting.

Even though the story is well written, it has some serious pacing issues. Each episode could have done better with quicker line delivery and better execution of certain scenes. At certain moments you just feel like hitting the fast-forward button because of the sheer amount of time that it takes for the characters to say or do anything, and it really grinds your brain when it does happen. When the plot does advance, you see glimpses of a show that is destined to be great. Tighter line deliveries and better direction are needed when you are trying to juggle such a large cast. A+ for the plot, but the final product leaves much to be desired. I need to give due credits to the background score which adds to the story, escalating tension and creating suspicion or fear when required.

With a better vision under an experienced director, Dark could go on to become one of the better science fiction shows on Television.

7/10